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Bounty hunter Stephanie Plum’s life is set to blow sky high when international murder hits dangerously close to home, in this dynamite novel by Janet Evanovich.
Before Stephanie can even step foot off Flight 127 Hawaii to Newark, she’s knee deep in trouble. Her dream vacation turned into a nightmare, and she’s flying back to New Jersey solo. Worse still, her seatmate never returned to the plane after the L.A. layover. Now he’s dead, in a garbage can, waiting for curbside pickup. His killer could be anyone. And a ragtag collection of thugs and psychos, not to mention the FBI, are all looking for a photograph the dead man was supposed to be carrying.
Only one other person has seen the missing photo—Stephanie Plum. Now she’s the target, and she doesn’t intend to end up in a garbage can. With the help of an FBI sketch artist Stephanie re-creates the person in the photo. Unfortunately the first sketch turns out to look like Tom Cruise, and the second sketch like Ashton Kutcher. Until Stephanie can improve her descriptive skills, she’ll need to watch her back.
Over at the bail bonds agency things are going from bad to worse. The bonds bus serving as Vinnie’s temporary HQ goes up in smoke. Stephanie’s wheelman, Lula, falls in love with their largest skip yet. Lifetime arch nemesis Joyce Barnhardt moves into Stephanie’s apartment. And everyone wants to know what happened in Hawaii?
Morelli, Trenton’s hottest cop, isn’t talking about Hawaii. Ranger, the man of mystery, isn’t talking about Hawaii. And all Stephanie is willing to say about her Hawaiian vacation is . . . It’s complicated.
About the Author
Janet Evanovich is the #1 "New York Times "bestselling author of the Stephanie Plum novels, twelve romance novels, the Alexandra Barnaby novels and graphic novels, "Wicked Appetite" (the first book in the Lizzy and Diesel series), and" How I Write: Secrets of a Bestselling Author."
Praise for Janet Evanovich
“No less than her plotting, Evanovich’s characterizations are models of screwball artistry. . . . The intricate plot machinery of her comic capers is fueled by inventive twists.”—The New York Times
“[Evanovich’s novels are] among the great joys of contemporary crime fiction.”—GQ