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The 2020 edition of contemporary American poetry returns, guest edited by Paisley Rekdal, the award-winning poet and author of Nightingale, proving that this is “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).
Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets.
Now, the 2020 edition is guest edited by Utah’s Poet Laureate Paisely Rekdal, called “a poet of observation and history...[who] revels in detail but writes vast, moral poems that help us live in a world of contraries” by the Los Angeles Times. In The Best American Poetry 2020, she has selected a fascinating array of work that speaks eloquently to the “contraries” of our present moment in time.
About the Author
David Lehman, the series editor of The Best American Poetry, is also the editor of the Oxford Book of American Poetry. His books of poetry include Poems in the Manner Of, New and Selected Poems, Yeshiva Boys, When a Woman Loves a Man, and The Daily Mirror. He lives in New York City and Ithaca, New York.
— Michael Dirda
"A 'best' anthology that really lives up to its title."
— Chicago Tribune
"Each year, a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable: and over the years, as good a comprehensive overview of contem-porary poetry as there can be."
— Robert Pinsky
“A year’s worth of the very best!”
"An essential purchase."
— Washington Post
"The Best American Poetry series has become one of the mainstays of the poetry publication world. For each volume, a guest editor is enlisted to cull the collective output of large and small literary journals published that year to select 75 of the year’s 'best' poems. The guest editor is also asked to write an introduction to the collection, and the anthologies would be indispensable for these essays alone; combined with [David] Lehman’s'state-of-poetry' forewords and the guest editors’ introductions, these anthologies seem to capture the zeitgeist of the current attitudes in American poetry.”
— Academy of American Poets